Beyond Books homepage

Hello, GUEST
Log in

BackLinksNext
Study Questions
Add to Portfolio
Merriam-Webster's CollegiateŽ Dictionary
Click to hide Teasers
Did You Know?
Native American author Gertrude Simmons Bonnin won a scholarship to the Boston Conservatory of Music as a violinist. There, she went on to co-compose an opera entitled Sun Dance.
Go to http://voices.cla.umn.edu/authors/GertrudeSimmonsBonnin.html

Quotation
"The wind, that wind / Shakes my tipi, shakes my tipi, / And sings a song for me."
Go to http://www.msnbc.com/onair/msnbc/TimeAndAgain/archive/wknee/ghostsongs.asp

Search BB
Beyond Books Home Programs Your Desk Portfolios Help
American Literary Voices Part 2
Truth or Dare: Taming the American West
Cite this page Printer-friendly page

3e. Native American Perspectives

Native American story shields often depicted tribal legends or related tales of the owner's life. Because they were largely symbolic, however, they were not used during actual warfare.
Wovoka awoke from his dream. The sacred Black Crow and Eagle would bring a whirlwind to vanquish white invaders and restore slaughtered buffalo. The unnumbered dead would return and the land would be given back to the tribes. Conditions for Wovoka's people, the Pauite, and all other Native Americans had deteriorated. By the 1880s, starvation threatened to wipe out those who were barely surviving on reservations. A deliverer was needed.

Hope for the Hopeless

Twenty years before the turn of the century, Native American tribes had been relocated and virtually imprisoned on reservations. When Wovoka, a Paiute, announced that he had come to deliver all from their hell on earth, word spread like wildfire. A huge Nevada gathering taught all people the songs and moves of the Ghost Dance. All who danced the Ghost Dance would be taken up into the air and suspended while new soil buried whites and recovered the land.

Ghost dances were group religious ceremonies. Participants would work themselves into a trance-like state through the repetition of chants. Their purpose was to unify and encourage the suffering tribes, but the Ghost Dances were very scary to white settlers who misunderstood and thought that the Native Americans were calling on evil spirits to enter their bodies.

Trance-inducing dances and rhyming verse to accompany them spread through the reservation communities. The Sioux, who were struggling mightily to survive, were uplifted by the supernatural suggestions of the chants:

Mourning Dove's Cogewea, The Half-Blood was one of the first novels written by a Native American.

The whole world is coming
A nation is coming, a nation is coming,
The Eagle has brought the message to the tribe,
The father says so, the father says so.
Over the whole earth, they are coming.
The buffalo are coming, the buffalo are coming.
The Crow has brought the message to the tribe,
The father says so, the father says so.
Like much sacred poetry, Ghost Dance songs revealed not only hopes for deliverance but also many aspects of daily life and customs. Oral literature was still the main type of expression for native peoples. Breath was sacred to them. Yet, after the massacre of 150 Sioux at Wounded Knee, South Dakota (1890), several Native Americans were so affected by what they saw or experienced that they were inspired to begin writing about their culture and traditions to keep them alive.

Keepers of Tradition

The Dream Catcher, which is now relatively well-recognized, has its origins in Native American culture.
Charles Alexander Eastman was born Ohiyesa. Though he was a Sioux, he was educated in white schools (uncommon at the time) and trained to become a doctor. Later, he worked on the reservation and witnessed the aftermath of Wounded Knee — a horror he never forgot. He wrote many articles on Indian mythology, folklore, and history, and, in 1902, published Indian Boyhood, the compelling story of his life before going to white schools. He wrote three other books about the Sioux, then a series in which he tried to interpret Indian ways for white readers. From the Deep Wood to Civilization (1916) exposed the pain he felt as a Native American in modern culture.

Gertrude Bonin (Red Bird) provided an important link between the oral literature of Native America and the written tradition of white culture. Born only half Indian, she found that after attending white schools, she struggled to fit into either culture. Around 1900 she began writing for the most prominent literary magazine, The Atlantic Monthly, committed as she was to building a bridge over the gulf between the cultures. Author of two short story collections and her autobiography, Impressions of an Indian Childhood, Red Bird was the first Sioux woman to write without interpreter or editor.

"Mourning Dove" is the pen name of Christine Quintasket, the first Native American novelist. Born in 1888, she witnessed the last buffalo round-up in 1908 on which she based her novel, Cogewea:The Half-Blood. Later, aided by Indian activists, she got her book published and collected tribal lore for her fine collection of Coyote Stories.

Leadership

Gertrude Simmons Bonnin, or Zitkala Sha, was an author and a strong political voice for Native Americans in the early 1900s.
Among the most poignant stories of displacement and trouble with white settlers was that of Chief Joseph and his tribe, the Nez Perce. Joseph had no desire for war, but the discovery of gold on his land (part of what became Washington, Oregon, and Idaho) forced his tribe to face an ultimatum from the American government: Leave in 30 days! Joseph showed skill as a commander in skirmishes with U. S troops, but at the same time he moved his people over 1,000 miles toward the Canadian border

Thirty miles from safety, faced with starvation, disease, and exhaustion, Chief Joseph finally surrendered and uttered the famous words, "I am tired; my heart is sick and sad. From where the sun sets, I will fight no more." He spoke eloquently. His speeches, as he testified in Washington D.C., are preserved in the oral tradition of a proud people, obviously disillusioned by their inhumane treatment. "Words do not pay for my dead people. They do not pay for my country."

In the 1930s, a poet named Neihart set out to write an epic about the history of the American West.

On the Ogala Sioux reservation, he found Black Elk, who had witnessed both the Ghost Dance movement and the massacre at Wounded Knee. Neihart wrote down their conversations as Black Elk shared the culture and religious beliefs of Plains Indians, using his own life and visions as guidelines. Black Elk Speaks is a book that has found prominence as it has gained readers — not only whites seeking knowledge of Native Americans but also by young Indians from all tribes searching for affirmation of their culture which continues to disappear under the pressures of the modern age.

When we look for "native" perspectives on the new century, we actually need to listen. Most of the tribal literature was in the oral tradition. It was later "translated" by people who probably had only a modest understanding of the various languages. It is important to know that there was not one, monolithic Native American culture, and the tribes all had distinct religions, traditions, and languages (estimates suggest 500+). Since it was not originally preserved in writing and because of language problems, the Native literature that we study and enjoy is only a representative sample.


Native Sons, Daughters, and Events

Instructions:
Match the elements on the left with the elements on the right. Click on the target next to an element in the left column, then drag a line to its counterpart in the right column. Correctly matched elements will turn green in color, and the line between them will stick. If the elements don't match, the line will disappear and you'll have to try again!


Click Here!


BackLinksNext
BACK | LINKS | NEXT

Talk to us!
Tell Beyond Books what you think of this page, ask us questions about our service, or report any problems. Students working on assignments should use Your Portfolios in Your Desk. Sorry, no homework help! Selected comments are shown on our User Comments page.
Your name:
Your e-mail:
Comments:
 

BEYOND BOOKS HOME ||| PROGRAMS ||| YOUR DESK ||| PORTFOLIOS ||| HELP

Copyright ©2007 Apex Learning Inc. All rights reserved. Patents D455,435 and D455,436.
Terms of Use | Privacy Policy

Call Toll Free 1-800-453-6227 • Fax 206-381-5601

Beyond Books homepage